Photography captures moments in real-time and preserve them through it. A form of art that acts as a window to the past and a way to look back to periods of times and events that created history. A photograph allows the viewer to travel to that specific moment and experience what the photographer tried to capture and convey. It could be a simple memory, a statement, a communication or just a way to tell a story and bring to life a vision of that time.

A photograph is highly influence by the person behind the lens, how the photographer sees the moment, the composition and mostly what is trying to show through the selection of locations, subjects, colors, and methods. For most artists the intention is to produce a photograph that will deliver their intent or will allow the viewer to create their own experience and conclusions.

In Garry Winogrand’s Color exhibition at The Brooklyn Museum, viewers and visitors will find a different side of the artist photography, the less known side, his color photographs. Winogrand was a celebrated photographer. Known for his black and white images, Winogrand was a pioneer of the of “snapshot aesthetics” trend in contemporary art, a trend form around the 1960s in fine art photography consisting on presenting what the photographer saw, casual looks and ordinary living. Winogrand was a figure of his time and a pivotal artist of his generation. According to the press release of Garry Winogrand: Color exhibition, Winogrand used to carry two cameras one with black-and-white film and another with Kodachrome color film, despite not having the resources to produce his color images he still shot them, leaving an unknown and undeveloped work, that now is the center of this exhibition.

As the first exhibition dedicated to Winogrand’s color photography, it presents more than 450 never seen or rarely seen color photographs through seventeen projections in vertical and horizontal points. “Presented in eight thematic sections that highlights Winogrand’s diverse subjects and approaches to color photography” as it was described in the press release. The contrast between the colorful and constant changing slides and the darkness of the gallery room makes it a unique experience to the visitor, a sense of intimacy that allows the viewers to travel through the snaps, the colors and the compositions, to look back to that specific time to recognize and remember their own experiences or to discover a new one. Stories and history not as familiar as the present-day but can still carry an experience, a comparison and distinction to it.

Scenes that seem as everyday life, simple subjects, elements and people who represent that moment in time, leaving a visually compelling experience to the guest making the exhibition a special immersion into Winogrand’s work. The constant changing and movement of the slides give the display a rhythm, engaging the guest and the art in an ingenuous way. Accompanied by a small selection of the artist popular black-and-white photographs the exhibit creates a generous window into the artist photography.

Garry Winogrand (1928-1984) was a renown photographer that defined a generation with his work, creativity, methods and style, originally from a working-class family from the Bronx, New York City, he traveled through New York and the United States capturing with his lens the lives and places of normal America and moments that are now part of his legacy to the world. Winogrand was committed to his unique selection of subjects, large crowds and chaotic places that created a contrast with calmer and less packed scenery, an aesthetic that made him a representation and now a reference in the world of photography.

“Continuing the Museum’s commitment to canon-expanding exhibitions, Garry Winogrand: Color is an exciting opportunity to rethink not only the work of an influential artist but also the history of color photography and its modes of presentation before the 1970” expressed curator Drew Sawyer in the Brooklyn Museum press release.  Garry Winogrand: Color is on view through December 8, 2019, at The Brooklyn Museum.

Written by Monica Herrera

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SEGMENT EPISODE! The “Boss Baby” teaser trailer dropped this week and we talk about that which is immediately followed by a question about whether or not to take a freelance job if it conflicts with your ethics… so you know, a normal RubberOnion Animation Podcast transition. We also cover the rumors that Disney might buy Netflix among other things – which really, my mind is on next week’s live show, Freelance Horror Stories 3, and a special episode which will drop on Patreon so enjoy this one before the awesomeness that is next week leading to Halloween!

Preorder my book coming out next week (Oct 25th, 2016)!!

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And you can now listen to us out on SoundCloud!

Topics & Timestamps:

Media Referenced During this Episode:

私のDIY力みて…… pic.twitter.com/PoHmqN5gwn

— TAQRO®ｺﾐﾃｨｱC01b (@taqqqro) October 7, 2016

Check out more of your hosts:

Stephen Brooks
Rob Yulfo

Preorder Stephen’s Animation Tutorial Book:

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SEGMENT EPISODE! We have two interviews, a discussion about the uncredited animator pushback on “Sausage Party” and one epic story. Enjoy this show, you won’t be forgetting it anytime soon… I know I won’t

Preorder my book coming out in 2016

Please Rate & Review us on iTunes

And you can now listen to us out on SoundCloud!

Topics & Timestamps:

Media Referenced During this Episode:

Check out more of your hosts:

Stephen Brooks
Rob Yulfo

Preorder Stephen’s Animation Tutorial Book:

And please Rate/Review us on iTunes
 Subscribe on SoundCloud 
… and Rate/Review us on Stitcher while you’re at it! (=

The post Animators Uncredited on “Sausage Party,” ARC Productions bought by Jam Filled, Curious George Documentary – RubberOnion Animation Podcast #147 appeared first on Artiholics.

Elliot Cowan is the indie animator and filmmaker behind the new movie “The Stressful Adventures of Boxhead & Roundhead.” We got to talk to him for 2 hours about everything from trends in big-budget animated films, the current state of art schools and the double-edged sword of making a feature-length animated film virtually by yourself. You listeners submitted so many great questions too and we get to all of them! You might be surprised what he thinks about the animation process and the Pixar movies Up and Cars.

Listen for animation mumblecore, “thanks Rob, shutup,” the grumpy animator theme song, how you pronounce Cowan and why it’s that way, and indie animators as home brewers.

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Check out Elliot’s Website, Blog, and definitely like his film page on facebook!

And you can now check us out on SoundCloud!

Topics & Timestamps:

Media Referenced During this Episode:

“Brothers in Arms” Boxhead & Roundhead series animated short (@43:20)

The Stressful Adventures of Boxhead & Roundhead trailer

The Boxhead and Roundhead behind the scenes production diaries

“The Death of Spider-Man” for Cartoon Hangover (@1:00:57)

https://www.youtube.com/watch?v=DFTIVWFLWRE

Other videos of Elliot’s you should see:

Check out more of your hosts:

Stephen Brooks
Rob Yulfo

And please Rate/Review us on iTunes
 Subscribe on SoundCloud 
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The PIXELS trailer was the most popular conversation topic on the RubberOnion facebook page this week, so we lead with that. At the end we discuss the internet as a creative spawning ground and how traditional media fits in AS WELL AS addressing a question to me (Stephen) about being a freelance animator. We also talk about the ATTACK ON TITAN live-action teaser, INCREDIBLES 2 plot, and the announcements of a California Raisins movie as well as Joseph Gordon-Levitt starring in and producing a Fraggle Rock film. Also Rob went to an underwear party in Williamsburg (which, as a sentence, isn’t that weird because it ends with “in Williamsburg”). So enjoy the discussion and feel free to join in below in the comments section!

Annotations:

 
PIXELS trailer

 
FROZEN/THE THING mashup claymation short by Lee Hardcastle

 
ATTACK ON TITAN clips (from Japanese talk-show, complete with distracting overlays)

 
ASTROBOY Reboot teaser

 
Check out more of your hosts:
Stephen Brooks (@RubberOnion)
Rob Yulfo (@RobYulfo)
Pat Ryan (@TheBadPatRyan)

And please Rate/Review us on iTunes
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The post First footage from “Attack on Titan,” Video Games attack Earth in PIXELS, and how to get into Freelance Animation appeared first on Artiholics.

Bushwick, Brooklyn, New York – Monday, Jun 16, 2014

The neighborhood is filled with formal and renegade artists, performers, and merchants pouring from the streets, galleries, salons, bars showing arts and crafts all over Bushwick. Here is a sampling of some interesting pieces from Bushwick Open Studios 2014 from June 1, 2014.

The Tarot Society located at The Body Actualized Center, 143 Troutman in Bushwick, featured live palm and tarot readings. On display was a collection of ceramic vessels with esoteric photo transfers, TERRE POTTERY by Pearl Vasudha Chanter.

As a passerby looked up from the sidewalk, an artist climbed high on a ladder to create a giant cat sculpture out of stacked cardboard boxes.

Brent Owens’ multimedia sculpture, see the Dr. Seuss-like tree in the photo collection below, was his fishing lure to bring in an audience to his garage studio. His work is a nod to artisan crafts of his youth and to an Americana hobbyist era that occurred even before he was born. Jenn Brehm, his wife and studio partner, is a painter who created a Dayglo participatory piece for patrons to interact with and add to. She had three collaborative collage, ink, and paint on cotton paper pieces finished by the time I arrived.

One of my favorite installations and performances was by Matty Davis. A visual artist, performer, and jewelry-maker using poetic ideas to encapsulate interactions between his body and of his art objects. His jewelry is unconventional and rough looking, made of flattened nails, gems, and chains.

His calmness as he hammers the nails is in contrast to the unsettling noise of the banging and crafting. It’s a very romantic installation, a collection of work that draws attention to the corporeal body of the artist being as important to the work as the finished object itself.

In one haunting photograph that documented a performance of his, he pressed a flower into a cut made into the palm of his hand. It’s vulnerable, disturbing, and beautiful. So much art today relies on polished gimmick or suffers from being ideas that can be executed by someone else as long as the “existential essence” of the idea remains.

The fun of going to an event like this that could be easily dismissed as a “Hipster block party”, is that the variety here at BOS lets you decide what you want to interact with and look at. This notion is much more pleasant than being in the confined editorial note of established curators for museums that compete with each other, but whom show the same content.

Click any image to view the gallery:

Written by Betty T. Kao

The post NOT JUST HIPSTERS: A Sampling of Art From Bushwick Open Studios appeared first on Artiholics.